Dead: one ordinary man. Just the latest in a string of losers in the wrong place at the worst time. Not the kind of case to yank New Orleans homicide detective Guy Gautreaux back from his leave of absence in Toussaint, Louisiana.
There's someone in Toussaint Guy will do anything to protect. Jilly Gable is desperate to find the love of the family who abandoned her as a child. And when the wife of a powerful New Orleans antiques dealer and loan shark sweeps into town claiming to be her mother, Jilly is all too willing to love and forget.
Slowly and methodically, evil closes in on Jilly, and only the truth—and Guy—can save her. Connecting the dots between the Big Easy and Toussaint all but cinches his case, but Jilly and Guy are still in danger. They have only each other for protection.
Jilly Gable had a man to confront. Maybe this time Guy Gautreaux would keep his big mouth shut and let her finish what she had to say before he piled in and told her what to do and why, and reminded her of his earlier warning that the reappearance of her long-lost mother could be bad news.
Guy had trouble with the concept that a woman could have a change of heart after thirty years of not giving a damn about a person. He didn't believe people changed; he thought that as years went by they became more of what they had always been. In this case, once a bad mother, eventually a reallybad mother.
Jilly pulled her aging VW Beetle into the forecourt at Homer Devol's gas station—the last gas station on the way out of the town of Toussaint, and first on the way in, depending on whether you were going or coming and which side of the sign you looked at.
Homer usually went to pick his granddaughter up from school in the afternoon, leaving Guy to tend the gas station and the convenience store beyond, where a string of colored lights outlined the roof. The lights stayed on all day and into the evening, all year.
Pots of showy geraniums hung beneath the eaves with ivy trailing to the ground.
Jilly looked around. Nothing on two legs moved. With her head out of the window, she called, "Homer! Guy!" then she screwed up her eyes and listened. No response. She looked quickly toward the road. All day she'd had a sick sensation that she was being followed, watched. Last night she had got a warning, even if it wasn't direct, that someone was watching her movements. Who better to advise her than Guy, a New Orleans Police Department homicide detective on extended leave?
Way to the left, closer to the bayou, Homer's split-timber house stood on stilts with its gallery facing the bayou across the sloping back lawn.
She got out of the lime-green Beetle and went through the useless exercise of trying to take in a breath. Hot didn't cover it. Heat eddies wavered above the burned-out grass and did their shaky dance on tops of the roofs. From where she was she could see cypress trees crouching, totally still, over Bayou Teche. Beards of Spanish moss hung from branches as if they were painted there, and the pea-green surface of the bayou might have been set-up Jell-O. Even the gators would be sleeping now.
